Seyedeh Samaneh Razavi; mohsen johari
Abstract
Honorable zeal is one of the social-cultural components of different societies, including Iranian society. In recent decades, with the expansion of feminist ideas, this issue has been critically analyzed, and its overflow can be seen in the art of cinema. The present research has been carried out with ...
Read More
Honorable zeal is one of the social-cultural components of different societies, including Iranian society. In recent decades, with the expansion of feminist ideas, this issue has been critically analyzed, and its overflow can be seen in the art of cinema. The present research has been carried out with the aim of investigating the representation of honorable zeal in the Iranian cinema of the 1390s, using Fairclough's discourse analysis method. This method includes three stages of description, interpretation and explanation, during which the formal features of the text are examined in the description stage, the interdiscourses in the interpretation stage, and the influence of macro-social structures in the explanation stage. For this purpose, 3 films "Daughter's House", "Father's House" and "Parvaneh's Swimming" were selected and analyzed from the series of films released in the 1390s with a purposeful sampling method. The results indicate that in the light of the effects of the process of globalization on Iranian cinema, the development of feminist literature, the cultural policies of international film festivals, the development of the urban middle class in Iran and the cultural policies of the government of moderation, the issue of honor zeal in the cinema of Iran in the 1390s has been represented as an irrational phenomenon with absolutely harmful consequences and The creator of the authoritarian relationship between men and women.
mohsen johari; hassan bashir
Abstract
Before the beginning of modern era and the amazing development of mass communication technology, art was considered and interested by thinkers. However, after the development of mass media and the development of literature in the field of culture and communication, the category of art, culture and communication ...
Read More
Before the beginning of modern era and the amazing development of mass communication technology, art was considered and interested by thinkers. However, after the development of mass media and the development of literature in the field of culture and communication, the category of art, culture and communication was neglected and. caused many problems. This study tries to examine the relationship between three categories of art, culture and communication by studying some of the existing conceptual and theoretical structures. At the beginning, the concepts of "art", "culture", "communication" and "culture and communication" have been studied, and then the views and opinions of thinkers such as Heidegger, Benjamin, Nasr, Avini and Madadpour were investigated in the context of the relationship between these categories. For the conclusion, two descriptive and prescriptive approaches were performed and the approach of "Cultural Artistic Communication" was suggested as a desirable relationship between the categories.
